More Robert Goodnough

The Club by Robert Goodnough

Variables with Color by Robert Goodnough

Mambo by Robert Goodnough

Robert Goodnough

Grey Development by Robert Goodnough (Portland Art Museum)

This is my second source of inspiration for my final project. I love how sophisticated and complex this collage is! Its very difficult to discern the different values of the grey pieces when seen in person. The shifts are extremely subtle and effective.

Brainstorm for Final

I took three words from my writing and expanded their meanings,

Skeleton - Omen - Lackluster

Roughs for Final

Initial Studies for Final Project

Michael Shapcott

Rue by Michael Shapcott

http://michael-shapcott.com/blog/

Redd Walitzki

Empty Kingdom by Redd Walitzki

http://www.reddwalitzki.com/

Janice Tayler

Floating on a Denser Diagram by Janice Tayler

Hinged Destination by Janice Tayler

http://www.janicetayler.com/

Nancy Standlee

Tumbling Tumbleweeds by Nancy Standlee

I just love seeing the color-washed map in the background.

http://nancystandlee.blogspot.com/

Sharon Sieben

Regal by Sharon Sieben

http://www.ugallery.com/oil-painting-regal

Finished Simultaneous Contrast!

I've never been interested in collage before but I actually had a blast making these projects and think I will continue to explore painted collage in my personal art projects.

Color Theory studies

Rik Lee

Wildside by illustrator, Rik Lee

Gin and Juice by Rik Lee

http://riklee.tumblr.com/

Audrey Flack

Chanel by Audrey Flack (1974)

David Hockney

Red Pots in the Garden by David Hockney 

http://www.hockneypictures.com/home.php

I think this piece shows me how the concept of our project, recreating spaces, can be used as a springboard to make some really beautiful dreamlike landscape/spatial art outside of the classroom.

Value and Color

I am very surprised to see how rich the values are in my color-painting piece upon taking a BW photo! I was so frustrated when I was painting with green and red and couldn't get any deep black tones from it, but I guess the browns were actually quite dark, looking at this photo.

Outside Lies Magic- Completed

Feels good to be done with this extensive project! I liked seeing how dreamlike all of the imagery was in the projects of my classmates.

Jerome Myers

In Lower New York by Jerome Myers (at Portland Art Museum)

I really enjoyed looking at this piece as it relates to my American Identities (SINQ) class. In that class, we talk about the Gilded Age and tenement houses and such, so it was exciting to see art at PAM with a greater understanding of historical context and significance. The tenements were horrible to live in from what I've read yet Myers paints this scene with optimism and a warm happy color palette. The children playing are painted so brightly, it almost speaks to his hope for the future of New York. 

Portland Art Museum exploration

Cart with Black Ox by Vincent van Gogh at the Portland Art Museum.



A painting of similar content but an extremely different color palette and overall tone
Cart with Red and White Ox by Vincent van Gogh 
(this piece is in Otterlo, Netherlands, very far away from the similar piece in Portland, which is a shame because I'd love to compare the color/mood-relationship in person somehow if I could)

Van Gogh with Complimentary Colors

The Night Cafe by Vincent Van Gogh

Henri de Toulouse-Lautrec

At the Moulin Rouge, The Dance by Henri de Toulouse-Lautrec

Toulouse-Lautrec's use of red/green complimentary pallette is terribly inspiring to me, the way he makes the two colors live so harmoniously together. His use of transparency in painting is also very cool. The shadows of dancers in the middle-left and the woman's black dress on the right and the way they are painted almost transparently is amazing.

Moving Forward to Color

Here are a few shots of the collected pieces of this project. I started into the color portion and got pretty far because I had already mixed up so many colors for the color sample so I though why waste paint? I think I might have too many pure reds in my color project and I was having trouble getting super-dark earth tones from my paints. Perhaps my red is too warm but I was hesitant to add a little cool red to make a better dark earth tone in case that would ruin the integrity of my project. I like to imagine the dark reds as representing the rust taking over my decayed magical world and the greens representing the parasitic vines and moss suffocating the cement steps and fences.

Color Samples

When I originally did my color sampling assignment I neglected to first look over the online assignment-- which stated to paint the colors over a mid-tone hue. To rectify my mistake I had to cut and paste my color samples on to a mid-tone hue colored paper but in doing so I was able to really compare color swatches and toss ones too similar and construct a logical arrangement of my hues. I am glad I had to rearrange everything because now I have a better understanding of how to remake these hues/values since they are arranged logically.

Laura Kicey

Pimento by Laura Kicey (from her Constructs series)

http://laurakicey.com/

Outside Lies Colorful Magic

For my Outside Lies Magic project part 2, I decided to use red and green as my complimentary color pair. I chose this set because in my personal painting I've tried using red/green palettes and failed to create harmony. I think that's because before I did not realize you can't assume the "primaries" of paint that come straight out of the paint tube are true "primaries." I also find red/green interesting because of how stressful the two colors can be together sometimes if too much pure color is used. The earth tones derived from red/green are exceptionally beautiful and I'm excited to paint with them.